stromness

Ness to Ness Workshop 2019, Orkney

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The University of the Highlands and Islands Archaeology Institute have once again teamed up with Orkney College UHI Art Department to offer the popular summer Art & Archaeology workshop for 2019.

  • Dates: 2nd – 5th July 2019
  • Time: 9.00-5.00 each day
  • Cost £250 per person (limited number of concessions at £225)
  • Accommodation and food is not included
  • Material and transport to and from Kirkwall during the workshop is included

Join us for a four-day workshop exploring the synergies between Art & Archaeology through an exciting combination of field visits and studio time. Accompanied by artists and archaeologists, you will explore the themes of mark-making, materiality and the landscape in the beautiful setting of Orkney’s West Mainland and the island of Hoy.

There will be exclusive tours of the Ness of Brodgar, Pier Arts Centre and the Ness Battery as well as expert printmaking tuition in Orkney College’s Art Studio from Charles Shearer

Tuesday 2nd July 2019 Field Day Ness of Brodgar and Ness Battery

The Ness of Brodgar excavation

After an introduction to the workshop, we will visit the excavations at the Ness of Brodgar. You will have the opportunity to enjoy a bespoke tour with Site Director Nick Card and see its unique art with Neolithic art researcher Dr Antonia Thomas. In the afternoon we will have a tour of the remarkable buildings at the Ness Battery and its unique WW2 painted murals with archaeologist Andrew Hollinrake.

The Ness Battery looking across to the Island of Hoy

Wednesday 3rd July 2019 Pier Arts Centre and Hoy

For today’s session, we will study the internationally significant collection of modern and contemporary art through an exclusive tour of the Pier Arts Centre in Stromness. We will then travel by the MV Graemsay ferry to the island of Hoy and then onwards to the beautiful beach at Rackwick via the Dwarfie Stane….a Neolithic rock cut tomb made famous by Sir Walter Scott in The Pirate. Following a day on the island we then travel back to Stromness on the ferry.

The Dwarfie Stane

Thursday 4th July Studio Day One

You will develop your sketches and ideas from the previous two days into collagraph prints, guided by the internationally renowned printmaker and artist Charles Shearer. A lunchtime lecture will discuss art and artefacts from Neolithic sites in Orkney. You will also have an opportunity to handle finds from recent excavations.

Friday 5th July Studio Day Two

You will be able to develop your ideas from the previous three days further, and continue to work on collagraph printmaking with Charles Shearer. A lunchtime lecture will explore overlaps between archaeology and art as disciplines and processes.

Formal qualifications are not required for this course.

Cost: £250 for 4 days. Limited number of concessions available at 10% discount (£225) Cost includes teaching, transport and materials, but not accommodation or food.To book, contact orkney.college@uhi.ac.uk or telephone 01856 569000

Listening to the Piers Exhibition – Stromness Museum

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Stories, Stones and Bones: Stromness Museum’s ‘Listening to the Piers’ exhibition celebrates Stromness Piers

  • Exhibition open 4th November – 31 December 2017
  • Venue: Stromness Museum, Stromness, Orkney

The dynamic story of the Stromness piers collected during the project through stories, drawings, photographs and artefacts will be exhibited in the entrance porch of Stromness Museum from Saturday 4 November to 31 December 2017.

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The project co-ordinator Dan Lee, Lifelong Learning and Outreach Archaeologist UHI Archaeology Institute, commenting on the award said: “It’s great that Stromness Museum was awarded this grant. Stromness piers have such a rich wealth of stories from their working past to the new ways we think about them today. We are all really excited about telling other people about our findings and sharing our heritage and history with them through this exhibition”.

Stromness Museum received a Heritage Lottery Fund (HLF) Stories, Stones and Bones grant as part of Scotland’s Year of History, Heritage and Archaeology. This exciting project, ‘Listening to the Piers’, run in partnership with University of the Highlands and Islands (UHI) Archaeology Institute, Heriot Watt Stromness campus and locally based artists was awarded £9,700 to investigate the piers of Stromness through creative engagement in archaeology, art and science workshops.

Commenting, Lucy Casot, Head of HLF in Scotland, said: “The Heritage Lottery Fund is a key partner in the Year of History, Heritage and Archaeology and it was our ambition that people of all ages would have the chance to discover something new about the heritage they care about. With almost 100 projects happening across the country, over 15,000 people have done just that. We’re delighted that, thanks to funding from the National Lottery, Stromness Museum is part of that celebration, opening the door to fun, learning and everlasting memories for many people as we celebrate this special year.”

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Stromness Museum holds important collections of natural history, archaeology, maritime and social history and art. Growing sea traffic from the 18th century onwards saw the port grow with stone-built piers and slips appearing along the shore.

Oral history workshops introduced Stromness Primary School pupils to interview techniques to make recordings about the piers. On ‘Piers Day’ during ‘Per Mare’ week, at the end of July 2017, Listening to the Piers provided an opportunity for local people and visitors to explore different ways of seeing and interpreting these piers through archaeology, marine biology, photography and drawing workshops.

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Stromness Museum
The Stromness Museum exists to promote natural science, to preserve local history and to offer an enjoyable educational and informative experience to as large a range of people as possible.

Stories, Stones and Bones
Stories, Stones and Bones is for any not-for-profit group wanting to engage more people with the heritage and take part in the Year of History, Heritage and Archaeology. Stories, Stones and Bones grants between £3,000 and £10,000 are available to groups who want to discover their local heritage. Projects can cover a wide spectrum of subject matter from exploring local archaeology and a community’s cultures and traditions to identifying and recording local wildlife and protecting the surrounding environment to managing and training volunteers, and holding festivals and events to commemorate the past.

Heritage Lottery Fund
Using money raised through the National Lottery, the Heritage Lottery Fund (HLF) aims to make a lasting difference for heritage, people and communities across the UK and help build a resilient heritage economy. From museums, parks and historic places to archaeology, natural environment and cultural traditions, we invest in every part of our diverse heritage. http://www.hlf.org.uk Follow us on facebook Heritage Lottery Fund Scotland and twitter @HLFScotland.

Join the conversation at #HLFScotland and #HHA2017 to be part of the Year of History, Heritage and Archaeology.

Year of History, Heritage and Archaeology
From World Heritage Sites to ancient monuments, listed buildings to historic battlefields, cultural traditions to our myths, tales and legends, the 2017 Year of History, Heritage and Archaeology, running from 1 January to 31 December will shine a spotlight on Scotland’s fascinating past, some of our greatest figures, attractions and icons, as well as our hidden gems.

 

Exciting New Project for Stromness-Listening to the Piers

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Stromness Piers_Credit Diana Leslie

Stories, Stones and Bones: Listening to the Piers – Exploring the history of Stromness through the town piers.

The Stromness Museum celebrates £9700.00 Heritage Lottery Fund grant as part of the Year of History, Heritage and Archaeology 2017

IMG_1907The Orkney Natural History Society Museum, Stromness, has received a Heritage Lottery Fund (HLF) Stories, Stones and Bones grant. This exciting project, Listening to the Piers – Exploring the history of Stromness through the town piers is led by Stromness Museum in partnership with the University of the Highlands and Islands Archaeology Institute. The programme involves organising arts and science workshops for the public and local schools and is aimed at exploring the history of Stromness through the town piers. This project is part of Scotland’s Year of History, Heritage and Archaeology.

The Stromness Museum is teaming up with the UHI Archaeology Institute, local artists, and marine scientists from the International Centre for Island Technology (ICIT) Orkney Campus to give the local community a chance to learn about life on and around the town’s stone-built piers, past and present. The events form part of the ‘Per Mare’ during 2017 when Stromness celebrates the 200 year anniversary of becoming a Burgh of Barony. The project will provide the opportunity for all ages of the community to explore different ways of seeing and interpreting the piers using innovative science and arts workshops held on a ‘Piers Day’ (Tuesday 25th July) during the Per Mare week (24-30th July).

The project team will work with local school children and residents to record stories,IMG_1894 memories and the history of the piers during May and June. Workshops on Piers Day will include archaeological test pit excavation on the town beaches to explore what the town threw away, sea life in the piers and intertidal zone, drawing (5-minute sketches), photography (artefacts and sea life) and time-lapse filming. Participants will learn new science and arts-based skills and help create new insights into the piers. These events are free and open to all ages.

The project will culminate in a temporary exhibition this autumn at the Stromness Museum, including artefacts, drawings, photographs and a new listening post with stories collected during the sound recording workshops.

Commenting on the award, Janette Park (Honorary Curator) said: “The museum is delighted to be able to run such a ground breaking project during such an important year as the 200th anniversary of Stromness becoming a Burgh of Barony. The piers of Stromness are a hugely important part of the shared community history of the town. The opportunity to explore and document the piers for the future will be a lasting legacy.”

Dan Lee (Lifelong Learning and Outreach Archaeologist, UHI Archaeology Institute) added: “We are really looking forward to exploring these iconic piers and the history of Stromness with such exciting arts/science workshops; combined they will help us all learn about the piers and understand them in new ways”.

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Credits: Stromness Piers artwork: Diana Leslie, Photographs: UHI Archaeology.

Stories, Stones and Bones is designed for any not-for-profit group wanting to engage more people with the heritage and take part in the Year of History, Heritage and Archaeology. Stories, Stones and Bones grants between £3,000 and £10,000 are available to groups who want to discover their local heritage. Projects can cover a wide spectrum of subject matter from exploring local archaeology and a community’s cultures and traditions to identifying and recording local wildlife and protecting the surrounding environment to managing and training volunteers and holding festivals and events to commemorate the past.

The Stromness Museum is an independent museum maintained and managed by a committee of volunteers elected from the members of the Orkney Natural History Society Museum SCIO. The Stromness Museum exists to promote natural science, to preserve local history and to offer an enjoyable educational and informative experience to as large a range of people as possible. The museum contains natural and cultural history with galleries focussing upon Canada and the Arctic, maritime history and models, natural history, wartime Orkney and ethnographic material.

See their website for more information: http://www.orkneycommunities.co.uk/stromnessmuseum/index.asp

Map Orkney Month: New Paper Published

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Hoy. Thanks to Linda Heath.

Map Orkney Month: Imagining archaeological mappings has just been published in a new open access online journal Livingmaps Review (Vol. 1, No. 1).

The paper is based on Dan Lee’s (Lifelong Learning and Outreach Archaeologist)  contribution to the wider Public Archaeology 2015 project, in which 6 archaeologists and 6 non-archaeologists each had a month long project throughout the year.

Map drawn by volunteer
Participant mapping of Stromness

Map Orkney Month proposed new forms of creative mapping for archaeology. When volunteers were asked to map their world for a day, the idea was to create a new collaborative map of the Orkney archipelago based on everyday journeys and places; a kind of countywide archaeological walkover survey with a twist. In the process, the project challenged traditional archaeological power structures, destabilised the way archaeological knowledge is produced by using non-specialists, and experimented with new modes of archaeological mapping. In the end, each contribution became its own map without the need for traditional archaeological cartography. In particular, the role of imagination in both traditional and experimental mappings became an important theme. Above all, mappers were challenged to think about archaeology in a new way, and in the process contributed something new to the discipline.

After a month of collaborative mapping a new map of Orkney has been created. By thinking big, Map Orkney Month seems to have captured people’s imagination. Our map looks like Orkney, however it is far removed from the Ordnance Survey and the tourist trail of Neolithic World Heritage Sites, brochs and bird watching. Our map is an unfamiliar Orkney, revealed through the experience and creativity of its inhabitants.

The emphasis was on everyday journeys, less familiar places, and recording individual stories and memories of place. The only loose instructions were to record journeys for a single day within March using a handheld GPS or smart phone, and record one site of significance.

You can access the article free here (just register): https://www.livingmaps.review/journal/index.php/LMR/index

A new research paper: “Imagining Archaeological Mapping” has just been published by Dan Lee (Lifelong Learning and…

Posted by Archaeology Institute UHI on Thursday, 17 March 2016

Rock Matters: A Geological Basis for Understanding the Rock at the Ness of Brodgar

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Ness of Brodgar
Ness of Brodgar
Selection of rocks found at The Ness of Brodgar including a water worn cobble originating from Stromness – 8km distance from the Ness

Rock Matters: A Geological Basis for Understanding the Rock at the Ness Of Brodgar

Martha Johnson writes about her research into non structural and non tool rocks found at The Ness of Brodgar.

All stone is rock but most rock is not stone. In the index or glossary of most geology texts there is no listing for stone, conversely, in most archaeology texts, there is no listing for rock.

This research has been structured to include rock in an archaeological setting. As a naturally occurring material composed of crystals or grains of one or more minerals, rock is not recognized in most archaeological sites until it has been quarried and placed upright in the ground; or it has been dressed for use in a foundation or wall; or it has been struck to form a sharp edge or ground into a tool. Until a rock is a stone something; standing stone, stone wall, flaked stone axe, or ground stone mace, it is not usually recognized as a material in its own right with information to provide. On many Neolithic sites there is incidental or non-structural, non-tool rock situated at occupation levels but this material is usually not recovered and recorded as either general or small finds.

The Rocks That Don’t Belong research project is investigating the non-structural, non-tool rocks recovered from the Late Neolithic site, the Ness of Brodgar, Orkney. These rocks, termed Foreign Stone for this research, are more often found on the spoils pile than in a finds tray. It should be noted the word “foreign” used in the archaeological finds classification, “Foreign Stone,” denotes rock originating from outside the area of excavation, not from another country. The recovery, recording and identification of these rocks as discrete rock (and mineral) species will add a petrological and geological dimension to post-excavation interpretation not commonly included in most archaeological settings.

During the 2013, 2014 and 2015 excavation seasons at the Ness of Brodgar, over 2000 Foreign Stone finds were recovered.  Each specimen has had the trench, structure and context recorded, their visible physical properties identified and recorded (colour, composition, texture/grain size, morphology…), and has had their specific rock (or mineral) species identified. Each specimen has also been examined for any evidence of heating.

The recording both archaeological and petrological data in this research will permit the cross referencing of rock species to structure or context. Though all rock recovered as Foreign Stone has been recorded and identified, the Foreign Stone of particular interest to this research involves those species not outcropping of the portion of the Stenness-Brodgar isthmus occupied by the Ness of Brodgar site. The recovery of these rocks at or near occupation levels, give indication of transport to the site during its period of use. Broad questions can then be asked concerning the presence of these rock species at the site.

The second portion of this research involved the compilation of all current and archival references regarding the location and description of any rock (or mineral) species found in Orkney. This species/location gazetteer permits an overall assessment of the rock types and species available within the Orcadian archipelago to people of the Neolithic. Questions can then be asked with respect to the distance(s) specific rock (or mineral) species recovered from the Ness of Brodgar could have been transported from its outcrop source(s) to the site.

Combining the knowledge of what rock species are found in Orkney and where they can be found with what rock species have been recovered from the Ness of Brodgar and where within the site they have been recovered generates the remaining post-excavation questions.   Specific questions will be posed to determine if there is any concentration of a specific rock species within a structure or within a context.

*Definition of petrology:  a science that deals with the origin, history, occurrence, structure, chemical composition, and classification of rocks